Portra 2023 (framed)
Acrylic, aerosol spray and marker on Fabriano paper
55cm by 1m
Kilmany-Jo Liversage (b. 1973) lives and works in Cape Town, South Africa
She creates portraits that sit at the blurry boundary between fine art and urban art
Adopting the urban art language allows her to update, renew and challenge the conventions of painting, though her rendering of female subjects are inspired by Renaissance era portraiture
It also references digitised mass production and a futuristic post-human world
The result is a series of brightly coloured large-scale paintings, evoking the street, art history and the future
Although Liversage has painted walls all over the world, including a large-scale mural at the 55th Venice Biennale in 2013, she does not consider herself a street artist
Operating within the framework of ‘urban contemporary’, Liversage may have incorporated aspects of street art into her practice – considerable scale, a predilection for working outside and the custom of tagging - but she trained as a fine artist and painting is her committed pursuit
She is a dedicated fine art painter
She is faithful to Renaissance standards of portraiture, working within the established canon, taking into account the very same compositional considerations as da Vinci or Piero della Francesca
BUT, she breaks the mould, allowing for spontaneity of mark-making, for dripping and for glorious, generative chaos
She is the anarchist who comes to mess with the process, revealing in her rebellion the truth of the matter – the uselessness and the peril, for women, of colouring within the patriarchal lines
In Liversage’s work, the masculine Gaze, to which all feminine is subject within a patriarchal framework, is plain to see
However, revealed as self-portraits, the feminine, cast in the roles given to her by the Gaze, stares knowingly, ferociously, straight back
Few artists can capture a moment or an expression as confidently as Kilmany-Jo Liversage does
On top of that, each painting is an act of rebellion
There is the classic and "correct" represented by the classical portrait elements, and then there is her saying that the status quo needs to change or be better and that those who traditionally had not been respected or valued are equally important and relevant
This is expressed by her use of a hip-hop aesthetic
Her ability in combining the two elements into one powerful artwork makes that statement
About her still life paintings, she has the following to say; “I paint flowers as a reference to objectification
With hints of female anatomy and subversive organic shapes created by the spray can and paintbrush, I have created an urban take on the classical still-life painting”
Education:
• 1994 H.Dip Fine Arts
Free State Technikon
Received a distinction in Painting
• 1997 B.Tech Fine Arts, Free State Technikon
Special honours and awards:
• 2000 SASOL New Signatures Art Competition (Best Painting)
• 2005 UNESCO Aschberg Bursary, Paris France
• 2013 Back 2 back to Biennale
55th Venice Biennale
• 2018 SCOPE Art Show, Miami
Museum exhibitions:
2026- PREKARIA
Oliewenhuis Museum
Bloemfontein
2023 If You Look Hard Enough, You Can See Our Future, African American Museum, Dallas
USA
Artist residencies:
• 2005 UNESCO Aschberg-Medellin, Colombia, South America
Collections:
• Global Nando’s collection
• Spier Arts Collection
• Department of Science and Technology, Pretoria, South Africa
• Absa Bank Art Collection, South Africa
• Centro Colombo Americano
Paul Bardwell Contemporary Gallery of Modern Art – Medellin, South America
• Comfandi Centre-Cali, Colombia
• Rand Merchant Bank permanent collection, South Africa
Selected Solo Exhibitions:
• 2026-AURA
Everard Read Gallery
London
• 2025-PREKARIA
Oliewenhuis Museum
Bloemfontein
• 2025-PREKARIA
WORLDART Gallery
Cape Town
• 2024 WORLDART Gallery
• 2023 REVOL
WORLDART, Cape Town
• 2023 ILLUMINA
Everard Read, London
• 2021 FERVA, WORLDART
Cape Town
• 2019 FEMFLEKTA619
WORLDART & AVA Gallery, Cape Town
• 2018 16 Days of Activism
WORLDART, Cape Town
• 2018 Chroma718
Everard Read Gallery, Johannesburg
• 2016 Orda716
WORLDART, Cape Town
• 2016 Orda716
Lizamore & Associates
• 2015 Ordamental515
Hay Hill Gallery, London
• 2014 Obversa714
WORLDART, Cape Town
• 2014 Obversa714
Lizamore & Associates
• 2012 Portra
Source 53, Singapore
• 2012 Portra
Artspace gallery, Johannesburg
• 2012 Portra
WORLDART, Cape Town
• 2011 Moniker
WORLDART, Cape Town
• 2010 Orda 2010
Erdmann Contemporary
• 2006 Orda 2006
Blank Projects, Cape Town
Selected Group Exhibitions:
• 2024-22.55S
Kalashnikov Gallery
Cape Town
• 2024 INNER SANCTUM-Everard Read Gallery Johannesburg
• 2023 If You Look Hard Enough, You Can See Our Future, African American Museum, Dallas
USA
• Convention
Word of Art, Woodstock, Cape Town
• 2010 Creative Context: A Group Show by Contemporary African Fine Artists Singapore
• 2010 World Aids Congress
Vienna, Brussels
• 2010 Matters Conceptually
Erdmann Gallery, Cape Town
• 2005 Graffiti is Public Art
Jardin Botanical Garden, Medellin, Colombia
• 2004 Spier Outdoor Sculpture Biennale 2004
Stellenbosch, Cape Town
Art fairs:
• 2024 RMB Latitudes Art Fair, Johannesburg
• 2024 Investec Cape Town Art Fair, Cape Town
• 2023 RMB Latitudes Art Fair, Johannesburg
• 2023 Investec Cape Town Art Fair, Cape Town
• 2022 Investec Cape Town Art Fair, Cape Town
• 2021 Investec Cape Town Art Fair, Cape Town
• 2020 Investec Cape Town Art Fair, Cape Town
• 2019 Investec Cape Town Art Fair, Cape Town
• 2019 Sydney Contemporary, Sydney
• 2018 Investec Cape Town Art Fair, Cape Town
• 2018 Stroke Art Fair, Munich
• 2018 Joburg Art Fair, Johannesburg
• 2017 SCOPE Art Fair, Miami
• 2017 MONIKER Art Fair, London
• 2017 Cape Town Art Fair, Cape Town
• 2017 Joburg Art Fair, Johannesburg
• 2016 THAT Art Fair, Cape Town
• 2016 MONIKER Art Fair, London
• 2016 Cape Town Art Fair, Cape Town
• 2016 Joburg Art Fair, Johannesburg
• 2015 MONIKER Art Fair, London
• 2015 Cape Town Art Fair, Cape Town
• 2014 Cape Town Art Fair, Cape Town
• 2013 Cape Town Art Fair, Cape Town
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